Scandalous
Drawing, Fencing, Cycling, Spaceships and Knitting. And Venice.
Now tweeting: @a_zambelli
lelledelalla:

Vladimir Nabokov’s map of Leopold Bloom and Stephen Dedalus’s routes around Dublin in James Joyce’s Ulysses
modernfencing:

[ID: a multiple exposure of a foil salute. Old, black and white photo.]
steroge:

Foil Salute (Joe Levis), 1938 by Harold Edgerton
(FEROZ Galerie: Paris Photo Los Angeles)
thekhooll:

Soyuz
Blueprint of a Russian Soyuz rocket. Click here to view big..!
centuriespast:

SAENREDAM, Pieter JanszInterior of the Church of St Odulphus, Assendelft1649Oil on panel, 50 x 76 cmRijksmuseum, Amsterdam
archimaps:

Inside the staircase of the Hôtel of Prince Roland Bonaparte, Paris
nickkahler:

Henri Labrouste, Imaginary Reconstruction of an Ancient City, c. 1860
nataliakoptseva:

Longhi, Banquet at the Palazzo Nani alla Giudecca
retrofuturismblog:

Retro-futurism in French Children’s Encyclopedias, 1945-1975 | Retronaut ‘More and more the computer will take the place of the human brain’
cravingdesires:

continuo-docs:
Ancient Egyptian music notationFrom a set of 6 parchments described by German musicologist Hans Hickmann in his 1956 book Musicologie Pharaonique, or Music under the Pharaohs, as dating from the 5th to 7th centuries C.E. Colors are presumed to indicate pitch and size to indicate duration. Writings on the parchment are in Coptic with indications like “Spiritual Harmony” and “Holy Hymn Singer”. This manuscript had a profound influence on Egyptian composer Halim El-Dabh’s music notation and paintings when he discovered a reproduction in Vogue magazine in 1952.
Note: I wasn’t able to locate these manuscripts and couldn’t find any reference to them online, but they are presumably in NY’s Metropolitan Museum collections. This image comes from Theresa Sauer’s book Notations 21, Mark Batty Publisher, USA, 2009.
flasd:

hyogo :: Werner Dafeldecker
for: electroguitar, tenor saxophone, cello, double-bass,
Hyogo (1997) is a graphical score based on the blueprints for a Buddhist temple. The score is a series of lines and “stops” where each player plays between the stops, therefore including silences throughout the piece. Dafeldecker mapped out a specific route for each player to follow during a performance. Once can see the red line that traces Kyle Bruckmann’s part in his performance of this piece.
BAK Magazine 09
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